Sometimes it is a difficult choice to decide what book I will be reading next, there are so many to choose from. The four books below are ones that need reviews shortly and I hope to get to them in a timely fashion. Here’s the line-up:
IT’S MURDER ON THE STREETS.
Danielle Crosby had a body to die for. A body she sold to the highest bidder. But she ended up paying for it with her life.
When a prostitute’s body is found lifeless, mutilated and brutally raped, DCI Annie Carr has never seen anything like it and never wants to again. Kate Burrows, retired DCI now consultant, has plenty of experience when it comes to murder – after all she caught the Grantley Ripper and broke the biggest paedophile ring in the South East. She is determined to help put the killer behind bars. But whoever it is won’t be easily caught. And when another girl’s body is found, even more horrifically disfigured than the last, it’s clear the killer is just warming up…
In a ruthless world where everyone’s out for themselves, Annie and Kate must dig deep if they hope to catch a callous serial killer who knows no limits and makes no mistakes. For some, prostitution is seriously big business. But how many people will pay the ultimate price?
Utterly compelling, HARD GIRLS is a gripping and disturbing thriller that will have you hooked until the very last page.
Jonathan Safran Foer spent much of his teenage and college years oscillating between omnivore and vegetarian. But on the brink of fatherhood-facing the prospect of having to make dietary choices on a child’s behalf-his casual questioning took on an urgency His quest for answers ultimately required him to visit factory farms in the middle of the night, dissect the emotional ingredients of meals from his childhood, and probe some of his most primal instincts about right and wrong. Brilliantly synthesizing philosophy, literature, science, memoir and his own detective work, Eating Animals explores the many fictions we use to justify our eating habits-from folklore to pop culture to family traditions and national myth-and how such tales can lull us into a brutal forgetting. Marked by Foer’s profound moral ferocity and unvarying generosity, as well as the vibrant style and creativity that made his previous books, Everything is Illuminated and Extremely Loud and Incredibly Close, widely loved, Eating Animals is a celebration and a reckoning, a story about the stories we’ve told-and the stories we now need to tell.
This is the story of a man who loved two women, and one of them killed him.
Some people have dreams that are so outrageous that if they were to achieve them, their place in history would be guaranteed. Francis Drake, Robert Scott, Percy Fawcett, Charles Lindbergh, Amy Johnson, Sir Edmund Hillary and Neil Armstrong are among such individuals.
But what if one man had such a dream, and when he’d achieved it, there was no proof that he had fulfilled his ambition?
Paths of Glory is the story of such a man. But not until you’ve turned the last page of this extraordinary novel, will you be able to decide if George Mallory should be added to this list of legends, because if he were, another name would have to be removed.
In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, an anxious twelve-year-old boy mistakes the local constable’s girlfriend for a bear. Both the twelve-year-old and his father become fugitives, forced to run from Coos County–to Boston, to southern Vermont, to Toronto–pursued by the implacable constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.
In a story spanning five decades, Last Night in Twisted River–John Irving’s twelfth novel–depicts the recent half-century in the United States as “a living replica of Coos County, where lethal hatreds were generally permitted to run their course.” From the novel’s taut opening sentence–“The young Canadian, who could not have been more than fifteen, had hesitated too long”–to its elegiac final chapter, Last Night in Twisted River is written with the historical authenticity and emotional authority of The Cider House Rules and A Prayer for Owen Meany. It is also as violent and disturbing a story as John Irving’s breakthrough bestseller, The World According to Garp.
What further distinguishes Last Night in Twisted River is the author’s unmistakable voice–the inimitable voice of an accomplished storyteller. Near the end of this moving novel, John Irving writes: “We don’t always have a choice how we get to know one another. Sometimes, people fall into our lives cleanly–as if out of the sky, or as if there were a direct flight from Heaven to Earth–the same sudden way we lose people, who once seemed they would always be part of our lives.”